Korg MR-1000

Future-proof Digital Recording:
With the pristine fidelity and ultimate flexibility of 1-bit technology, the new, surprisingly affordable MR-1000 ensures that your location recordings and final masters are never obsolete.

Korg’s super-portable MR Professional Mobile Recorders break new ground by providing high fidelity DSD recording technology and great value.

The mobile/tabletop MR-1000 delivers an astonishing 1-bit/5.6 MHz, doubling industry DSD recording quality standards. This new super-rate spec delivers a “true to what you heard” fidelity that will amaze even the most jaded audio enthusiast.

The MR-1000 is the perfect tool for the professional who wants to record and archive their final mixes in the studio, while its compact size and portability make it ideal for location recording, podcasting, live music performances – even for rehearsals and song-writing sessions.

After recording and editing all your tracks in the DAW/hardware system of your choice, you can mix directly, or via an analog summing mixer, to the MR-1000. This gives you the superb fidelity of high-rate DSD technology, which preserves all the transients, nuances, and “air” from the original recording.

Powerful software bundled with the MR-1000 enables the conversion of your DSD recordings and mixes into all of today’s audio formats without degradation. Best of all, by archiving your data/mix in this new double-speed 1-bit format you’re ready for the future, as playback systems and standards change.

The MR-1000 can record to multiple formats, allowing you to choose the type that matches your needs. There are three ultra pristine, high definition 1-bit recording formats at your fingertips; DSDIFF, DSF, and WSD* (2.8224 MHz @ 1-bit or 5.6448 MHz @ 1-bit). In addition to the 1-bit recording options, multi-bit PCM formats (BWF or WAV) with resolutions up to 24-bit/192 kHz are also available. The MR-1000 can play back all of these file types and more, with the newly added MP3 playback feature. Various resolutions can be played back, including bit rates from 32 – 320 kbps, with a sampling frequency of either 44.1 kHz or 48 kHz. This gives you the added ability to store and listen to web ready MP3 files right on your MR-1000. All of these functions make the MR-1000 a truly future proof tool that will be useful for recording all your endeavors in the years to come. It features a 40 Gbyte internal hard drive, offering up to six hours of recording at the highest audio quality (1-bit 5.6448 MHz stereo), or approximately sixty hours at CD quality (16-bit 44.1 kHz).

The table-top MR-1000 includes combination XLR/ 1/4″ input connectors with top quality microphone preamps, phantom power and built-in limiting. Both XLR and RCA outputs are provided for maximum flexibility.

High-speed USB 2.0 connectivity provides for fast and easy transfer of files between the recorder and your computer.

The MR-1000 can accommodate a total of 800 projects internally, and you can easily perform file management operations such as Rename, Delete, and Protect for individual songs. You can also register one hundred mark points in each song

Quality and Portability
The MR-1000 allows two-way operation; it can be powered by the included AC adaptor or by eight AA batteries, delivering 1-bit audio in a portable package that’s equally at home in the studio or in the field. It comes with a specially-made carrying case that lets you record without removing the MR-1000 from the case, making it a great choice for field recording. The large backlit LCD display guarantees excellent visibility, ensuring smooth workflow. The Almite-coated aluminum body provides strong impact resistance and stable operation in any situation.

1-bit Technology Equals Pristine Fidelity
1-bit recording is the latest advancement in audio, and has been adopted for use in the critically acclaimed SACD recording format. It offers a frequency response of DC to 100 kHz and dynamic range of 120 dB. This uncompromising fidelity, low noise floor, extended dynamic range, lifelike imaging and analog quality depth has been praised by top experts. But there are other important advantages to the format that are of benefit to all recording professionals, regardless of their tracking platform

High Audio Quality
In order to deliver an unprecedented level of audio quality, careful attention was paid not only to the digital signal domain but also to the hardware design. The input/output circuitry of the MR-1000 features ultra-high quality mic preamps. Power is supplied independently to the MR-1000’s digital circuitry and analog circuitry, thus holding interference due to electrical current to an extremely low level.

Every component of the MR-1000 has been carefully selected to maximize performance. The respected Cirrus Logic CS4398 is used as the DAC (Digital/Analog Converter), and the Burr-Brown PCM4202 from Texas Instruments is used as the ADC (Analog/Digital Converter). By paying close attention to every component, the design has minimized any possible degradation of the audio signal.

Future Proof Flexibility
Today’s state-of-the-art 24-bit converters use high-speed 1-bit conversion to capture audio, using real-time decimation and other processes to present the data in the desired bit depth/sample rate format. The beauty of the MR’s bitstream format is that it uses the original 1-bit data, without the need for the other processes. What comes in comes out, with no manipulation needed.

As files are converted and reconverted between various bit depths and sampling rates, there are possibly degrading effects, depending on the sample rate conversion algorithms. The critical issue is that files mixed and mastered in today’s state of the art resolution may be insufficient for tomorrow’s formats. Archiving your final mixes and masters in a 1-bit system allows you to bypass these issues, and preserve your music with both the highest fidelity and in a more “universal” format. That data then can more easily be converted at a later date to the bit depth/sample rate format of your choice without compromising the integrity or fidelity of the data. You can even convert to newer formats that will be adopted in the future, be they multi-bit or a further migration to the 1-bit format.

Free Integrated Software Solution
The MR-1000 comes with Korg’s innovative and powerful AudioGate™ software for Mac® and PC. AudioGate can convert 1-bit recordings into WAV and AIFF formats at various bit-rates (and vice versa) and offers real-time conversion and playback of 1-bit files using your computer’s audio hardware.
Specification

Recorder Section:
Number of Tracks:
2 tracks, 2-track recording/playback simultaneously

Recording Formats:
1-bit audio formats – DSDIFF, DSF, WSD: 2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit

PCM audio formats – WAV, BWF: 44.1 kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bit

MP3 format – playback only
44.1kHz or 48kHz/32kbps-320kbps

Internal Hard Disk Drive:
40 GB

Recording Time:
Max Approx. 60 Hours (44.1 kHz @ 16-bit, 2-track)

Number of Projects:
Recognizes a maximum of 200 for each format, max 1,000 projects

Mark Points:
100 points per a song (no mark name)

USB Functions:
USB 2.0 supported, ability to use as FAT32 external USB drive

Song Editing:
Rename, Delete, Protect

General:
Display:
160 x 104 dots LCD with backlight

Dimensions:
7.56″(W) x 6.69″(D) x 2.20″(H)

Weight:
2.20 lbs. (without batteries)

Power Supply:
Eight AA batteries (sold separately), Oxyride batteries, charged nickel metal-hydride batteries, or AC Adapter model – (adapter) 500405015300 & (3 prong cable) 600007300/KA310
12V 500mA Center Pin (+);

Current Consumption:
7 W

Accessories:
AC Adapter; Carrying Bag; CD-ROM (“AudioGate” Audio File Conversion Software)

Principal Specifications:
Frequency Response:
10Hz ~ 20kHz ±1dB @ Fs44.1kHz, 10Hz ~ 40kHz ±1dB @ Fs88.2kHz/96kHz/176.4kHz/192kHz, 10Hz ~ 100kHz (1 bit)

S/N:
96 dB (typical) @ IHF-A INPUT-OUTPUT

THD+N:
0.008% (typical) 20 kHz-LP

A/D Conversion:
2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)

D/A Conversion:
2.8224 MHz/5.6448 MHz (1-bit), 24-bit (PCM)

INPUT L-R:
Connectors:
XLR-3-31 type / 1/4″ TRS phone jack (balanced)
Phantom power: 48V/10mA per channel, on/off switch

Input Impedance:
4.5 k Ohm (XLR-3-31), 68 k Ohm (TRS phone, Line)

Nominal Level:
- 60 dBu – - 28 dBu, XLR (balanced), – 26 dBu – + 4 dBu, 1/4″ TRS phone (balanced), – 26 dBV – - 6 dBV, 1/4″ TRS phone (Unbalanced)

Maximum:
16 dBu, XLR (balanced), + 16 dBu, 1/4″ TRS phone (balanced), + 6 dBV, 1/4″ TRS phone (Unbalanced)

OUTPUT L-R (Unbalanced/Balanced):
Connectors:
RCA (Unbalanced)/XLR-3-32 type (balanced)

Nominal Level:
6 dBV/+ 4 dBu

Maximum Level:
+ 6 dBV/+ 16 dBu

Load Impedance:
47 k Ohm or greater/600 k Ohm or greater

PHONES:
Connector:
1/4″ stereo phone jack

Load Impedance:
16 k Ohm or greater

Maximum Level:
50 mW + 50 mW @ 32 k Ohm

USB:
Connector:
Type B

Format:
USB 2.0 High-Speed device, USB mass storage class

Supported OS:
Windows Me, 2000 or later, Mac OS 9.0.4 or later*1

*1 With Intel based Macs, you must turn on the unit after making USB connection.
Included Items:
AC adaptor (also operates as charger), carry bag, CD-ROM (“AudioGate” audio file conversion application)

AudioGate System Requirement:
Supported OS:
Windows XP Home Edition/Professional Edition (Service Pack 1 or later), Mac OS X 10.3.9 or later

CPU:
[Windows] Intel Pentium III/1 GHz or faster [Macintosh] Apple G4/800 MHz or faster (Intel-based Mac supported)

Memory:
256 MB or larger (512 MB or larger recommended)

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Tags: 1 Bit, High Definition, Korg, Phantom power, recorder

This entry was posted on Wednesday, September 16th, 2009 at 2:09 pm and is filed under 2 Track Stereo. You can follow any responses to this entry through the RSS 2.0 feed.